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    <title>Insider Blog - Screenline.com</title>
    <link>http://www.screenline.com/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>ryan.dixon@baselineresearch.com</dc:creator>
    <dc:rights>Copyright 2011</dc:rights>
    <dc:date>2011-06-21T23:05:39+00:00</dc:date>
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    <item>
      <title>Análisis de la taquilla mundial: Es Medianoche en París y en todo el mundo</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/analisis-de-la-taquilla-mundial-es-medianoche-en-paris-y-en-todo-el-mundo</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/analisis-de-la-taquilla-mundial-es-medianoche-en-paris-y-en-todo-el-mundo#When:22:05:39Z</guid>
      <description>Los mercados de Espa&amp;ntilde;a, Mexico y Argentina no han mostrado excesiva  afluencia de estrenos locales en estas pasadas semanas. Espa&amp;ntilde;a ha sido  la que m&amp;aacute;s ha destacado con los t&amp;iacute;tulos de Medianoche en Par&amp;iacute;s de Woody Allen y la comedia No lo llames amor...ll&amp;aacute;malo X. Los otros dos mercados han estado vac&amp;iacute;os de grandes estrenos.</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-06-21T22:05:39+00:00</dc:date>
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    <item>
      <title>International Box Office Run Down: It&#8217;s Midnight in Paris and All Around the World</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/international-box-office-run-down-its-midnight-in-paris-and-all-around-the-</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/international-box-office-run-down-its-midnight-in-paris-and-all-around-the-#When:20:22:10Z</guid>
      <description>The markets in Spain, Mexico and Argentina haven&amp;rsquo;t presented many local  releases during these past weeks. Spain has been the most active, with  Woody Allen&amp;rsquo;s Midnight in Paris and the comedy No lo llames amor...ll&amp;aacute;malo X. The other two territories didn&amp;rsquo;t present any big releases.</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-06-21T20:22:10+00:00</dc:date>
    </item>

    <item>
      <title>The Orphan Blockbuster: How We Stopped Caring and Learned to Love Unlovable Movies</title>
      <link>http://www.screenline.com/insider-blog?detail/C36/the-orphan-blockbuster-how-we-love-unlovable-movies-ryan-dixon-line</link>
      <guid>http://www.screenline.com/insider-blog?detail/C36/the-orphan-blockbuster-how-we-love-unlovable-movies-ryan-dixon-line#When:15:29:53Z</guid>
      <description>Soda is delicious. But to the ancient Callatians, so was the flesh of dead relatives and nowadays no one outside of gourmand serial killers would salivate over a dish of foie gras d&amp;rsquo; humain.    &amp;nbsp;That soda and junk food have followed in the footsteps of flesh and    cigarettes to become the consumptive Voldemorts of the 21st&amp;nbsp;century    presents a great challenge for corporate confectionerians: How to    produce products with addictive deliciousness without fattening the    populace into lumbering Elephant Men.</description>
      <dc:subject>Ryan Dixon</dc:subject>
      <dc:date>2011-05-27T15:29:53+00:00</dc:date>
    </item>

    <item>
      <title>International Box Office Domination: Hollywood Presses Its Global Agenda</title>
      <link>http://www.screenline.com/insider-blog?detail/C36/international-box-office-domination-hollywood-presses-its-global-agenda</link>
      <guid>http://www.screenline.com/insider-blog?detail/C36/international-box-office-domination-hollywood-presses-its-global-agenda#When:21:18:05Z</guid>
      <description></description>
      <dc:subject>Ryan Dixon</dc:subject>
      <dc:date>2011-05-23T21:18:05+00:00</dc:date>
    </item>

    <item>
      <title>The Seven Deadly Sequel Sins: A Memo on How NOT to Kill Your Film Franchise</title>
      <link>http://www.screenline.com/insider-blog?detail/C36/the-seven-deadly-sequel-sins-a-memo-on-how-not-to-kill-your-film-franchise</link>
      <guid>http://www.screenline.com/insider-blog?detail/C36/the-seven-deadly-sequel-sins-a-memo-on-how-not-to-kill-your-film-franchise#When:23:15:12Z</guid>
      <description></description>
      <dc:subject>Ryan Dixon</dc:subject>
      <dc:date>2011-05-13T23:15:12+00:00</dc:date>
    </item>

    <item>
      <title>Los grandes éxitos locales siguen vivos en los mercados latinos</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/los-grandes-exitos-locales-siguen-vivos-en-los-mercados-latinos</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/los-grandes-exitos-locales-siguen-vivos-en-los-mercados-latinos#When:16:51:27Z</guid>
      <description>Abril ha sido un mes intenso para el producto local en Espa&amp;ntilde;a y  Argentina gracias a las vacaciones de Semana Santa.&amp;nbsp;
Read More</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-05-02T16:51:27+00:00</dc:date>
    </item>

    <item>
      <title>Local Films Continue to be Successful in Latin Markets</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/local-films-continue-to-be-successful-in-latin-markets</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/local-films-continue-to-be-successful-in-latin-markets#When:16:39:11Z</guid>
      <description>April has been an intense month for local productions in Spain and  Argentina thanks to Easter vacations, although Mexico has been more  influenced by the American big releases like Rio and Hop. During these past four weeks Spanish language movies have grossed more than $25M in the three territories.
Read More</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-05-02T16:39:11+00:00</dc:date>
    </item>

    <item>
      <title>Torrente, el policia malo, rompe el récord de estreno en España</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/torrente-el-policia-malo-rompe-el-record-de-estreno-en-espana</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/torrente-el-policia-malo-rompe-el-record-de-estreno-en-espana#When:20:14:06Z</guid>
      <description>Las pasadas dos semanas han sido un gran momento para las comedias locales en Espa&amp;ntilde;a y Mexico gracias a los estrenos de Torrente 4. Lethal Crisis y Salvar al soldado Perez.
Read More</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-04-01T20:14:06+00:00</dc:date>
    </item>

    <item>
      <title>Bad Cop Torrente Breaks Spanish Opening Weekend Record</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/bad-cop-torrente-breaks-spanish-opening-weekend-record</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/bad-cop-torrente-breaks-spanish-opening-weekend-record#When:20:02:36Z</guid>
      <description>The past two weeks have proved successful for local comedies in Spain and Mexico with the releases of Torrente 4. Lethal Crisis and Private Perez.
Read More</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-04-01T20:02:36+00:00</dc:date>
    </item>

    <item>
      <title>Nominierungen für den deutschen „Oscar“ stehen fest – Doku über die „Grüne Revolution“</title>
      <link>http://www.screenline.com/insider-blog?detail/C4/nominierungen-fuer-den-deutschen-oscar-stehen-fest-doku-ueber-die-gruene-re</link>
      <guid>http://www.screenline.com/insider-blog?detail/C4/nominierungen-fuer-den-deutschen-oscar-stehen-fest-doku-ueber-die-gruene-re#When:16:14:21Z</guid>
      <description>Auch Deutschland hat seinen &amp;bdquo;Oscar&amp;ldquo;, der hierzulande allerdings  &amp;bdquo;Lola&amp;ldquo;  hei&amp;szlig;t. Die Auswahl zum Deutschen Filmpreis 2011 in 16  Preiskategorien  wird von der Deutschen Filmakademie vorgenommen, dem im  Jahr 2003  gegr&amp;uuml;ndeten Pendant zur US&#45;amerikanischen Academy of Motion  Picture  Arts and Sciences.
Read More</description>
      <dc:subject>Box Office Updates, Weekend</dc:subject>
      <dc:date>2011-03-18T16:14:21+00:00</dc:date>
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